Showing posts with label Life. Show all posts
Showing posts with label Life. Show all posts

Tuesday, October 5, 2010

Some paintings from a couple months back

1. Me and Tiina, painted fast

2. Portrait of T. She likes it because it "makes me look sinister."

3. An experiment inspired by a Degas painting I saw at the Art Gallery of Alberta.

4. Portrait of Cevyn-My-Niece

5. Detail from a portrait of Cevyn-My-Niece

6. A different detail from same

7. Surprisingly, I actually finished the second painting I started after resuming painting in January.

























Wednesday, June 9, 2010

I don't know what to say.











I've been feeling terribly guilty about the rather inert state of this blog, lately. Well, maybe not lately--does the last four months count as lately? It's been awhile.

But while I've been feeling terribly guilty about not posting stuff here, I apparently don't feel guilty enough to, you know, post much. There are several reasons for this, among them:

-I've been in a really bleak place since December, and it's not the kind of bleak I normally indulge in. It's not something I can enjoy ironically or want to make light of. There's no fun in it, and if there's no fun, I don't really want to randomly inflict it on anyone who might stumble across this blog. And seeing as I don't, with one exception I can recall, lock posts, that's The Big Thing I'd be writing about off the table. There are, of course, smaller things I could be writing about, but...

-A lot of those things are other peoples' business and I shouldn't discuss them in public even though I'd kind of like to because I think I might be able to work some stuff out in this format and, for whatever reason, I don't actively keep a private journal. (The reason is probably that I did keep one when I was younger, and reading them a year or two or ten later was so incredibly irritating that I couldn't seriously contemplate ever committing my unedited private angst to a form I might foolishly consider reading again at some point. You think I whine on my blogs? This is nothing. Nothing.)

-The desire to inflict stuff I think is funny and/or relevant and/or useful on the wider public remains as strong as it ever did. But the siren song of twitter has drawn me away from blogging. Blame The Future of Comics (I) Fiona Staples for that one; I wouldn't have fallen into that particular time-sucking vortex if she hadn't told me I could tweet without a text-messaging cellphone. (I suspect I knew this, deep down, and the notion that it was something best done by and for people on the gogogo was a subconscious safety mechanism, a way to avoid getting drowned by information delivered 140 character at a time.)

As anyone who follows my twitter account (@theAndrewFoley if you're interested, though it also {mostly} feeds to my facebook account and is compiled daily on my LiveJournal account) can tell you, I haven't exactly shut up when it comes to saying stuff online--it's just the form that's shifted. I don't know if that shift will be permanent, but right now tweeting feels a lot more comfortable than blogging. For one thing, in spite of (maybe because of...?) the size limit for tweets, I feel like I'm more involved in actual 2+sided conversation on twitter than I ever have on this blog. So, yeah. Maybe I'll someday summon up the wherewithal to write up something of length, if not depth, to post here. I don't know that that day is coming soon, though, because...

-In the aftermath of December's trials, I've resumed painting again after 10+ years of not seriously doing it for any sustained length of time. I always kept in mind that I'd stopped painting for a good reason, but I'd honestly forgotten what it was until I started again.

What it is is this: all things being equal, I'd rather paint than write.

All things are not equal in this case. I've never fancied myself sufficiently talented or of social grace to be a successful painter (success in this case meaning an artist who makes or stands even a faint hope of making some kind of modest living off of his painting.) The mural I'm currently painting in Happy Harbor's entry is going to easily be the most money I've ever made from non-house painting--and it's in a style quite different from what I do when left to my own devices.

In addition to lacking the skill and connections necessary for someone who paints the way I do to make a career out of it, I discovered some time ago I don't even really want to make a career out of it. Doing so would require me working on terms other than my own and the ones physical limitations of environment and art supplies foist upon me (the biggest paintings I've worked on since starting up again have been 3x4 feet, roughly a sixth the size of what I was doing when I had a sizable studio space to work in.)

The day I decided to make a serious attempt at writing a gallery owner visited my studio. He began listing off various things I'd need to do with my paintings to get them hung in his gallery--which, in retrospect, was fairly generous of him. At the time, however, I completely lost track of what he was saying in favour of visualizing me throwing him out the studio's fourth storey window. He left, and I said to myself, "Well, you obviously don't have what it takes to do this professionally. What sort of work could you do where you could take feedback without wanting to physically assault the person offering it?"



Writing is something I enjoy doing: something I, on a good day anyway, think I'm actually pretty good at doing; most critically, something I'm not so emotionally invested in that I become inflexible; something I can happily (or at least willingly) approach as craft rather than art.

Over the past few years, I've gotten some really stupid notes on stuff I've written (I've also gotten a ton of notes that have made me a better writer in general and a better commercial writer in particular, but we're not talking about that right now).

Q: How many Hollywood producers does it take to change a lightbulb?
A: One, but does it have to be a lightbulb?

Most of those notes were intended to make whatever I was working on more commercially viable, which in practice means I was being asked to respond to the concerns of people who hadn't actually read the work yet.

Q: How many writers does it take to change a lightbulb?
A: Change the lightbulb? But the lightbulb's THE BEST PART!

For the most part, I've tried to address those notes as best I can, with a minimum of fuss, because I want to be a professional writer. (BTW, that raucous laughter you can hear? That's every manager or editor who's ever been subjected to my neurotic e-mail ramblings. I appreciate the patience, guys.)

Generally speaking, my blogging activity--while it might potentially be useful professionally (I don't think it actually has been in the five or six years I've been doing it, but in theory...)--has been me Writing for Fun.


What I've rediscovered over the last few months is that, for me, painting is more fun than writing. And I think that that, more than anything else, is the core reason for my lack of blogging activity. It's the work of a couple seconds to maybe a minute to tweet something; I've currently been writing this post about how I'm not posting anything for more than an hour.

That's an hour I could have spent writing something that might generate some kind income down the line. I'm currently picking away at a story (haven't decided if it's a movie or a comic yet) that I feel has a lot of commercial potential, while waiting for notes from my managers on another screenplay they think has some kind of potential. It's also an hour I could have spent painting. The former is something I feel I ought be doing, the latter something I would enjoy doing more than this. Instead, I'm trying to justify (to myself, if no one else) something that oughtn't need justifying: not blogging as frequently as I once did.

I don't know that I've been entirely successful in that endeavour. I suspect I will continue feeling somewhat guilty about not semi-frequently posting some rant or rave to the blog for a while to come. Maybe when I stop feeling guilty, I'll be more inclined to write more here. Maybe.

The big takeaway from all of this is, I don't know whether I'll be blogging more, less, or at all in the foreseeable future. For a couple handfuls of you, this has been the primary way I've communicated with you for the last few years, and I that's certainly why I'm still feeling some residual guilt over the way things have played out.

Some have interpreted the absence of material here as an indication that I'm in a bad place. In reality, I'm not in a good place. But I'm doing better now than I have been the last several months. I've got some really good news coming down the pipe on the writing front that I'm pretty excited about. Even if I didn't, I'm painting again, which is something I missed more than I realized. I'm tweeting all sorts of nonsensical rubbish.

Right now, there simply aren't enough hours in the day to do all the things I want to do. Something's got to take the backseat, for awhile at least. And, though it wasn't a conscious decision at the time, somewhere along the line I did decide that that thing was this blog.

So I'm saying goodbye for now, and having said it I expect I'll feel better about it soon. And if I don't, well, I still don't know that I'll feel bad enough to take time away from painting to post something more than out of focus pics of what I've been painting recently here. That'll have to do for the time being.

Ever upward,
A

Friday, May 14, 2010

My Perfect Woman

(Tiina and Andrew's bedroom, morning. As Andrew returns to bed:)

TIINA: Did you feed les animaux?

ANDREW: I did.

T: Les chiens et les chats?

A: Oui.

T: And how are les animaux?

A: They're good. As good as ravening hellbeasts can be, anyway.

T: And how is my boyfriend?

A: Your what now?

T: I mean, how's my husband?

A: He's concerned about you having a boyfriend.

T: Sorry, I just don't know how to say "husband" in french.

A: But "boyfriend" is french for "boyfriend"?!?

T: ... ... ... Oui.

A

Friday, March 19, 2010

Life in Brief

Actually working a LOT this last week, on what I hope and pray is the final pass on the "Spec w/ Emmy Award-Winning Producer attached" (but probably won't be, seeing as the latest round of notes has added almost ten pages of new material to a script that's already widely perceived as being overlong.)

***

MEANWHILE...

When I've come up for air, I've found myself...well, to be honest I've been sad. I'm not renowned for my upbeat demeanour, but my usual default position is anger, which at least has the possibility of some entertainment value. I haven't given it much thought, but it seems to me right now that righteous fury is the best place to be on the negative side of the emotional spectrum. It's energizing, it gives me some clarity of focus--something good can come of it.

But this week, I'm not angry, I'm just depressed. I happened to stumble across two situations, one I'm not involved with at all but which nevertheless upset me, and one slightly closer to home, which upsets me even more. I've done what I can re: the former, don't know what I can do with the latter, other than dwell on it and feel awful for the various people involved (and myself, which is selfish, but there it is), which is what I've been doing. Forgetting to take my pills this morning didn't help.

***

THE HIGHLIGHT OF MY WEEK

It hasn't been a totally awful day. At the Harbor, we generally listen to 102.1 "The Edge", a Toronto radio station for background noise, esp. the 2:00-7:00 (Toronto time) weekday slot, which is hosted by long-time friend of Happy Harbor, Fearless Fred. Fred's a huge comic fan, to the point that he's working to create some of his own. He's also one of the more surreally amusing radio announcers I've ever listened to (not that that's a huge pool to draw from, seeing as I only listen to the radio at and on my way to the store.)

Yesterday, I half-heard Fred talking about the weather in TO, specifically a snippet to the effect of "It's such a great day I'm trying to combine beautiful and glorious into one word."

Naturally, I spent a ridiculously long time mulling this idea, and eventually came to the conclusion that the best option for such a combination was "Globeautrifulous" (pronunciation: glo-BYOO-tri-flus.) Having gone to the effort of concocting this abomination, I of course felt compelled to e-mail it to Fred, who promised to use it during his weekly examination of upcoming films. For a couple hours, I waited with baited breath. It was a fairly slow day in the shop, not a lot of people around, nobody at all for the twenty minutes prior to the movie previews.

And then, of course, a couple people walked in the door just as Fred started the segment. One of them came and stood silently in front of the till as Fred preemptively spoiled "The Bountyhunter" ("Jennifer Aniston and Gerard Butler? They get together in the end. I just saved you ten bucks and two hours of your life.") and Diary of A Wimpy Kid ("It's funny because it's ALMOST TRUE!"), before wading into Repo Men, which, given the time he'd spent on the segment already, I knew had to be when he'd say globeautrifulous. And indeed it was, or so I'm told, because it was exactly four words from the end of the segment when the customer in front of the till decided to start talking.

Fred mailed me, saying "Please tell me you heard that." I replied with pretty much what I typed above, with substantially more swearing.

The next time there was a break between songs and commercials, Fred came on and managed to work globeautrifulous into a sentence. And he did it in such a way that I couldn't possibly miss it, regardless of who might be talking at the time. He didn't yell it, but it wasn't that far from it.

That was without a doubt the highlight of my week. Which probably says something about the week I've had.

***

STILL READING?

There are better things out there you could be reading. If you're an aspiring comics creator, I can even tell you what one of them is: IDW editor Mariah Huehner (ANGEL, THE LAST UNICORN) has spent part of her day on Twitter, tweeting about creating comics in general and the role of the editor in particular. Semi-related: Dark Horse editor Rachel Edidin (THE MARQUIS: INFERNO) has some tweets along the same lines, usually under the #makingcomics hashtag. Both are worth following, if following people on Twitter is your thing, but especially if you're thinking about getting into the creative end of the comics biz.

A

Friday, March 5, 2010

New Pills

Half busy, half miserable. Started a post based on a series of tweets that got...out of hand, but haven't finished it yet and as it stands it's really whiny, even by my standards, so I might not bother finishing.

If you're interested, my twitter feed is here --that's actually where I've been doing the bulk of my online writing lately. 140 character bursts are substantially easier to handle than complete sentences, at least when you're in the mood I've been in.

However! That mood seems like it might be changing, because, you guessed it! I'm on some new pills. Actually, I'm back on some old pills which were really good for a year and then gave me insomnia for a couple months, after which I stopped taking them and became less alert and, I strongly suspect, less pleasant to be around. I've only been taking the new/old meds for a couple of days, but I can already feel myself evening out a bit emotionally.

Which is good, because like I said above, I've got a fair amount on my plate right now. In addition to the various pitches I've got floating around a number of editorial offices, things seem to be picking up on the screenwriting front, too. A producer with fairly extensive credits is working with me and Scott O. Brown to develop a screenplay based around a comic we wrote eons ago that never got published. Actually, it's based on a concept SOB pitched solo that I was brought in to help co-write in a form quite a bit different than what he'd originally intended. Naturally, Mr. Bigtime Producer's take on the property is pretty much the one SOB'd originally wanted for it anyway, so now he gets to write the story he wanted to do in the first place, but he's got the dubious joy of having a co-writer he didn't have when he originally proposed the story. I'm actually kind of surprised he's still talking to me, now that I stop to think about it...

Last time I checked, I was quite proud of the comic version we wrote of the piece in question, and hope that we'll someday be able to get it out. SOB and I retain the rights to the underlying but non-existent comic property, which is potentially problematic, but realistically, we weren't exactly rocketing towards a finished comic as it was, and, well, if you want a career as a screenwriter (I'll take one as any kind of writer, even copy), when someone as big as Mr. Bigtime Producer's willing to develop a screenplay with you, you've kind of got to take the shot. Even if taking the shot is likely going to be hours and hours and hours of your time for no money upfront--a scenario I've been getting used to over the last ten years in general and the last year and a half especially.

In addition to that, the managers are working on notes for what I'm promised will be The Final Revision of the spec I've been working on for the year and a half this weekend, so that should hopefully see my part of that process come to a close soon, at least till someone wants to pay for rewrites. Well, not "wants to pay for rewrites" so much as "will pay for rewrites regardless of whether they want to or not." And I've also been given a deadline for a revision of the spec pilot I wrote a couple years back that everyone loved until they decided it needed to be changed significantly. And after that, I've got deadlines for the Christmas thing outline, the supernatural thing proposal, the other supernatural thing proposal (which I'm probably going to pull because "Hollywoodizing" it enough to make it sellable would turn it into something I don't really want to write.)

And when I'm not working on that stuff I've usually been painting. I really need to get some more hardboard to paint on. The 2x2 foot or less scale I've been forced to work in recently is really dragging me down. 3x4 feet's the minimum dimensions for a real painting. And someday I will get back to the art college scope of 6x10 feet...someday...

So that's why there hasn't been much blog activity from me lately. If the way this little note unspooled is any sign of what's to come, that might change in the near future. But I wouldn't count on it.

What's new with you?

A

Wednesday, February 17, 2010

I can haz payntbrush?























There's a couple posts I've been wanting to write, but I've been neck deep in revising the screenplay yet again, so instead you get photos of four of my last five attempts at painting. I'm only even remotely happy with one of them. Can you guess which?

Tuesday, February 2, 2010

Hello-oh-oh-ohhh...

Still not really in a mood to blog, really, but I'm starting to feel guilty about not writing much of anything for the last couple months (not strictly true--there were a few pitches, a film treatment, and a metric ton of e-mail, but that stuff doesn't really count). And I don't know how to transfer images from the camera to the computer (I don't much like two of the three paintings I've done since the last time I posted images anyway), so you get this update-y thing instead.

My mood continues to be in the toilet. Actually, that's not true. In its more ambitious moments, my mood aspires to rise to the level of being in the toilet. Why the malaise? Let's see. There's...

1) The obvious reason. I had a near-breakdown during a lunch meeting this afternoon when someone mentioned they'd spent the night at the hospital with their father, who's just suffered a stroke. The bereavement counseling is either interesting or a bunch of useless hippydippy crap depending on my outlook during a given minute.

2) The usual reasons. My winter headache's just kicking the crap out of me this week, the financial insecurity of the freelance life seems particularly insecure at the moment, blah blah blah...

3) The semi-usual reasons. With all the other stuff going on (or not, as the case may be) trying a new medication, even one for migraines (DIDN'T WORK) probably wasn't the best idea. Not getting a decent night's sleep for more than a week adds a couple degrees of suck to everything.

4) The new stuff--which isn't mine to air publicly, but which is having its impact all the same.

Stepping back from all the crap and looking at life with as objective an eye as I can manage, most of the actually important stuff is solid (with one glaring exception, but there's nothing to do about that but go on) and the slightly less important stuff is going in the right direction, albeit with its usual glacial speed.

New people are interested in the spec. People who matter in Hollywood. Which means more notes, which means more work for, based on past experience, no money. But hey, people are interested, by golly! My managers are upbeat, but then, they're always upbeat. I don't know what they're snorting, but I want some. Anyway, one more draft and I'm done with that until someone hands me a cheque. I mean it this time.

In the meantime, there's actually been some movement on the comic writing front (as opposed to the comic editing front, which was much more lucrative this last year or two). Progress is being made towards getting one of my first books back into print at a reputable publisher. I've got a few pitches in to different places, and I'm generally making a nuisance of myself to the editors who're currently willing to talk to me. Is it possible to push your luck when the only luck you're having lately is bad? I'll let you know...

Olivia Wilde is in talks to co-star in the film version of Cowboys & Aliens. When word of this filtered down through the grapevine to me a week or two ago, I said, "That's interesting." But it wasn't interesting enough for me to go find out who Olivia Wilde actually was. Now I know she's "the sexy bisexual doctor on House" (thanks Steph {and Diane}), which part of me always knew was more likely to be true than what I chose to believe for the longest possible time: that she was that she was a porn star who was finally getting her big Hollywood break. Anyway, that's that rumour confirmed, which makes me think the other casting rumour for the film I've heard that hasn't gone wide yet is at least possible. That's name even I recognized.

Not that any of this makes me any money, at least not directly. But it does open a few doors a crack wider. It also floods my inbox with google alerts to stories that have my name in them but are so distant from my reality they might as well be on another planet. At least the stories do actually involve me, however remotely, as opposed to the alerts about the Andrew Foley who owns the bookstore in Sarasota or the British politician.

(Yes, I've got a google alert for my own name. My ego is Just. That. Big.)

What else?

I'm sure there's something, but I can't think of what it is, so I guess I'll just say Richard Cohen's a moron and go watch LOST.

A

Monday, January 18, 2010

The big brush-off

I hope everyone's 2010 is off to a good start. Mine's been a bit rocky...

Based on my not blogging, or even tweeting much, recently, people have been asking if I'm all right (the answer's not really, no but thanks for the concern.) And some of those people haven't been my mother, which tells me I really must post something to prove I haven't died.

So: I haven't died. I just don't really want to blog right now, for a couple of reasons, one good, one not so good.

The reason I've decided is, on balance, a good thing is that I've started painting I've started painting again. Whether anyone else thinks that's a good thing remains to be seen, and I've got to admit, I'm of two minds on the whole thing myself. I've missed painting, more than I realized till I started doing it again. It's a completely different activity than writing, one that pushes my happy buttons a lot more frequently. It's also habit-forming; the more I do it, the more I want to do it, which means the less I do other things, like update my blog and, er, maintain contact with humans I don't personally live with. It hasn't completely derailed my professional writing activity yet, but if I'm not careful, I can see it becoming an actual threat to it. Which is, at least in part, why I stopped doing it in the first place.

Anyway, depending on where you're reading this, you should either be able to see a couple of the things I've done over the last little while. If you can't see them and the links aren't working, I'll post the urls at the bottom of the post in case you just can't live without seeing my artistic genius in flower.

The one above I'm pretty happy with. At least as happy as I'm going to be, considering the subject matter.

While the next one is very much a work in progress. I don't know that I'm going to be able to make it work to my own aesthetic satisfaction, but the great joy of painting is that I can expend a ridiculous amount of time before I realize that and decide to let it go.

The other reason I haven't been posting is because I don't have anything I really want to say publicly at the moment. I've generally used this thing to express what's on my mind, and what's on my mind is usually pretty silly and/or frivolous. Which is all well and good most of the time; I generally like silly and frivolous things. However, it has on occasion led me to employ hyperbole and exaggeration to certain aspects of my life, which is why if you go back far enough you can probably find a few thousand words from me lamenting the toe I stubbed this morning or lambasting some telemarketer for foolishly attempting to ply their trade on the Wrong Guy.

The posts I wrote in December were among the most honest things I've ever written, and I don't regret putting them in the public eye. But they were written in reaction to events that were happening around me at the time. Now I have to deal with the aftermath, and at the moment, I don't really want to do that publicly. I can't see the value in doing so, for me or those dozen or so people who read this stuff. I definitely don't want to diminish what I and my family are dealing with by treating it roughly the same way I'd treat the new dog doing his impression of the Dresden bombings in our living room.

There's only one thing worth blogging about right now, and it's the one thing I don't really want to talk about, so I'm not. And that's why things have been quiet here and will likely remain so for a while yet (though I will try and post art as it comes in. I've got three more pages of John Keane roughs for JESUS CHRIST, PI I expect to post in the next day or two. So that's something to look forward to.)

A

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Sunday, December 27, 2009

Nerves

I'm tired and my head is pounding. It's been a pretty stressful day all around and I'm not going to stop being stressed until I get a phone call, hopefully inside the next hour though I told Dad I'd give him a half hour beyond that before I started to panic.

It was Lisa's Alberta memorial today. She'd made a home she loved in Ontario, but spent most of the first thirty years of her life in Alberta, so there were a fair number of people here that couldn't make it to the Ontario ceremony who wanted (and given the role they played in her life, I'd say deserved {not that my saying so means much}) a chance to pay their respects/celebrate her life.

I've been trying to put my finger on why this afternoon's ceremony hit me so much harder than the one in Ontario. Maybe it was because of the familiar setting--the church where the memorial was held was also the church Lisa and Harvey got married in. The background on one of the photos in the video memorial was recognizably taken in the same place we were all sitting today. That one hit hard. They all did, really.

Many of the faces I saw today I haven't seen for years, but they're the faces of people I personally associate with Lisa. I know she was a well-liked member of the community out east, but the people at the last memorial were largely strangers to me. Today it felt a little bit more...real?

It may be that my role at the Ontario memorial gave me a bit of distance, physical as well as emotional, from proceedings. As a pallbearer I was seated apart from the family; today I held Mum's hand for most of the memorial and could feel her body shaking next to me when my own shaking was under control.

Or it could simply be that I was feeling some distress due to the circumstances of my arrival in Red Deer. Mum, Dad, and Harvey went there last night; T and I elected to stay home for the night because, well, we didn't want our dogs to destroy anyone's house--OK, the one dog, Data's too mellow to do much damage these days. T's parents were willing to have the dogs over and in fact did for much of the day, but having them during the day and having them at night are different things and they'd already taken care of the dogs for the week or so T was in Ontario with me. I didn't really want to dump more Dare-related hassles on them, at least not more than necessary.

Cevyn, given the choice of hanging out at her weird Uncle's place or going to Red Deer with her Dad and grandparents, opted to stay overnight here with T and I. Which meant that I was driving two of the most important people in my life to Red Deer this morning in my parents' unfamiliar car--which doesn't look that big from the outside but feels like a tank when you're behind the wheel. And it is power everything--an ill-timed cough from the back seat could put the stupid thing in the ditch, it's ridiculously sensitive, esp. compared to our car, which must be wrestled into submission with every single turn. It's not just because I'm an antisocial curmudgeon that I leave the house so infrequently--it's also because I'm too lazy to want to have to deal with steering the car.

The unfamiliar and dangerously accommodating car would have been nervewracking enough on its own, but that wasn't the worst part of the trip. No, that would be the cloud of fog that obscured the highway for the bulk of the trip to Red Deer. Granted, I've frequently said there are few things less interesting than the scenery on the way to Red Deer, but not being able to see the scenery, or in fact the road in front of you, is incredibly interesting. I look forward to my blood pressure returning to its normal level sometime in March.

When all was said and done, I managed to get Tiina and Cevyn to Red Deer in one piece. Well, two pieces, one part T and one part C, but you get the picture. Doing so had left me with a nasty neck strain and the pounding headache I seem to recall alluding to above.

As I also alluded to above, today was more emotionally wrenching than the previous memorial. Seeing Susan, Melodi, half my elementary school teachers, to say nothing of a couple of childhood homes, the Corner Store where I first regularly sought out the comics of the week, and my high school, had me feeling nostalgic for a period I don't usually feel much nostalgia for (partly because I don't remember most of it with any clarity and the parts I can recall are embarrassing enough to make me wish I didn't.) And all of that was before I was once again confronted the loss of my sister.

I don't think I was the only one feeling it more this time around. Dad only barely got through the wonderful eulogy Mum and he wrote; Cevyn was more emotional than I'd personally seen her since everything went chest up. Suzie, who was handling the live singing portion of the program, broke up crying in the middle of one of them...

...Which isn't to say the entire affair was without its humourous aspects. Anyone who wants evidence that God hates technology wouldn't have to look much further than today's memorial. First, there was a massive blast of feedback during a very odd point in the priest's initial speech. Why it would happen almost at the end of her talking instead of the beginning, I don't know, but there it was. She was talking about how great God was or some such and suddenly BRRAARRRNNNGGGGGG!

It went on quite awhile, too. Some people said it was Lisa having a laugh; Dad thought it was her missing her cue during the eulogy when he mentioned her enjoyment portraying a gassy patient in some sort of hospital function. It'd be nice to think that Lisa was there in spirit and able to affect proceedings, but if I were to believe that, I personally don't think that's the point at which she made her presence felt. No, that would come during the powerpoint presentation.

I don't know if it was actually a powerpoint presentation--I thought it was a prerecorded video cycling through a number of photos of Lisa selected by Mum, Dad, and Harvey before the visitation. Whatever it was, it didn't work very well today. First, the thing was frozen on the first image for a long, long time. So long the priest went towards the back to try and help resolve the problem. She neglected to turn her microphone off while doing this, and was apparently unaware that her whispered comments to whoever was running the computer were being broadcast all over the church. If I was one for praying, at that moment I'd have been praying for her to say something really inappropriate, like "Jesus #*%&ing Christ, what the #*%&'s wrong with this thing?", but it was not to be. I must admit I got a little giggly regardless, just because the broadcast whisper thing was funny to me at the time. Talk about grasping at straws...

Eventually, they sort of got the thing working. The photos started to go through the proper rotation, using the a variety of standard wipes for no good reason I could see, but hey, I was there for the photos, not the changes between the photos or the music.

I didn't mention the music, did I? The reason for that is because there was the better part of six minutes without the music that was supposed to play along with the montage. Eventually, some wretched country song (for all her good points, Lisa had no understanding of music, as evidenced by her insistence that country and western material actually counts as music and not an audio crime meriting the most extreme penalty for all who inflict it on the public) blasted a few lines into the church--and the video stopped. For a moment, I was absolutely jubilant--I'd seen the photos, but only had to actually listen to a couple bars of the accompanying "music". If Lisa was influencing things today, this was surely the moment, when she finally took pity on her poor brother and didn't make him listen to crappy country and western music.

Whether she was responsible or not, the jubilation was shortlived. Having resolved the problems, the video was restarted, complete with music. Which is just as well. Being happy at a memorial for one's deceased sister would be unseemly, even if that happiness was thoroughly justified, as I have to believe anyone who heard the tunes and understands that country music is to music what sweet potatoes are to potatoes (which is to say, COMPLETELY DIFFERENT and WHOLLY INFERIOR THINGS that have no business usurping their respective usurped terms) would agree was a completely understandable reaction on my part.

Today's minister personalized things a bit more than the last one, addressing each member of the immediate family and advising us to take a variety of hippy-dippy actions. The term "fill your memory cup" came up more than once, I believe. Still, I'll take a litany of pop-psych advice over friendly reminders that God's just the most wonderful thing, isn't he? any day. There was a fair amount of that going on today too, which is understandable but still faintly aggravating. Irritation has its uses, though. I think I would've been a complete snot and tear-drenched wreck (as opposed to a mostly snot and tear-drenched wreck) if I didn't have a new logical fallacy being foisted off on me as divine truth every ten or so minutes.

The minister said that God would come to comfort us in a variety of ways in the coming days--in the form of supportive friends and family, in our memories of Lisa. I expect she's right about the friends, family, and memories, but the only one I'll be giving credit for that is my sister.

I thought being driven back to Edmonton by Dad would let me relax a little, and it did, right up until we hit the same fog bank that made the trip to Red Deer such an edge of my seat affair. Granted, having someone else behind the wheel did stop me from freaking right out (though I imagine my grabbing the impact bar at the slightest provocation did nothing for Dad's state of mind.)

But as I started writing this post, something I'm doing instead of the thing I dearly want to be doing, which is sinking into a deep, deep sleep, that fog continued to make me edgy. Because Dad wasn't just driving me and T back home tonight--having done that he was also determined to go back to Red Deer. I understood why he felt he had to go: he wants to be there for Mum. Under almost any other circumstances I'd have wanted him there for her, too, but the idea of him driving back through the fog at night in an unfamiliar vehicle (he and Mum rented a minivan to move everyone around over the holiday) without a cellphone, to make things even more dicey... Well, let's just say I wasn't thrilled.

I told him I wasn't going to worry Mum by calling her and trying to get her to convince him to stay here overnight, because I don't think he'd have listened to her if she told him to stay put (in the same position, I don't think I would). So I gave him three and a half hours from leaving here to phone and let me know he'd gotten back to Red Deer safely before I hit the panic button.

He left. I ate some sandwiches. I read a few sentences from Eoin Colfer's "And Another Thing...". And he still had an hour and a half before I could start getting really agitated. So I started writing a blog post, because I haven't done that for awhile.

A few minutes ago, Tiina wandered into the room and informed me that Dad had phoned to let us know he was back in Red Deer safely. In addition to that, I've got standing orders from Mum to take my pills, get some sleep, and stop worrying about her. She's going to have to settle for two out of three.

A

Saturday, December 5, 2009

Visitation Rites

Even though I thought and still think the visitation tradition is, to put it more charitably than I have for much of the last couple days, redundant and more than likely a fiendish ploy designed by a pernicious funeral home owner looking to suck every available penny out of grieving relatives, I attended Lisa's first visitation period with Harvey and his sister Cindy.

As anyone following me on twitter is now aware, I think most traditions are kind of silly (a good excuse for a bad habit, I usually say, though Steve Logan on facebook made a valid argument in their favour). Having said that, Lisa was deeply invested in tradition and she loved this community. I didn't want to go, but I didn't want Mum or Dad to go if they didn't want to, and they pretty definitively didn't want to. And Lisa--who's the one member of our immediate family who absolutely would have been there for any other family member--had a previous commitment. It seemed to me that, as much as the Foley side of Lisa's family does not deal well with these situations (like anyone does, right?), there should be someone there to represent them on this occasion. By default, that someone had to be me.

Fortunately, Harvey and Cindy were also there, as they're much better at talking with people than I am. Also better at talking with people is Lisa's good friend Nancy, who was also there pretty much for the duration and I suspect is back there now.

I'd be there now myself but Mum and Dad are picking up a sizable contingent from the Thunder Bay branch of the family tree and, their previously stated reservations notwithstanding, will be going to the visitation afterwards. So T and I are "taking care" of Cevyn, by which I mean, we're sitting in the basement watching TV and blogging, and she's sitting upstairs watching TV, reading the second volume of Svetlana Chmakova's NIGHTSCHOOL {I'd bought both available volumes for her for Christmas, but decided to give them to her now--as with Svet's previous graphic novel DRAMACON, she's cutting through them {and VAMPIRE KNIGHT volumes} like a cute, cuddly, mildly irritated by her uncle threshing machine} and generally avoiding her silly and frequently irritating uncle.)

The visitation was just as weird and uncomfortable as I'd feared it would be. H, C, and Nancy all interacted with the visitors more than I did, mostly, I suspect, because sitting in a corner and glaring balefully at anyone I didn't personally know (which was basically everyone but a couple of Cevyn's friends) wasn't the most inviting of postures for me to have on display. The pounding magraine I developed seconds after entering the funeral home did not have me feeling particularly sociable, which is a convenient excuse, but I can't honestly say I'd have been much better if head and back were in tiptop condition.

In fairness to me, I did take the initiative to talk to several people unprompted. Mostly these were people standing quietly in a line behind an invisible "Please wait here till the previous mourner has finished talking to Lisa's husband" sign. It was awkward enough not talking to anyone when everyone was talking to someone else; sitting sullenly not talking to anyone when someone else in the room was also conspicuously not talking to someone else reminded me of countless parties I'd rather forget. So I dragged my sorry self to my feet, walked across the floor, introduced myself, chatted a bit.

A curious thing happened during the course of the several conversations I had this afternoon. Everyone who knew her has a Lisa story to tell, and all of them were different (well, almost all of them involved laughter and an interesting percentage involved dressing up in adult diapers, but for the most part, different stories). I wished I could manage the originality and offer up something new, some bon mot designed specifically to put each individual person I was talking to at their ease.

But by the end of the two and a half or so hours, I felt like I'd almost turned into the guy I become when I'm standing behind a table at a comic convention, in that I was saying the same things repeatedly to different people, almost by rote:
-"You worked with her at the hospital? She really loved you guys. The flag at half-mast really touched our family. Mum's going to try and take her family to see the memorial, but I'm not sure Mum's ready to see it herself."
-"Your child goes to school with Cevyn? You guys have been so supportive to her during this time, we really appreciate it...Cevyn? Well, she's a teenager, you know? She seems to be taking it better than anyone, which worries me a little. I'm not sure it's really hit her yet, but she's so quiet it's hard to guess what's going on with her."
-"You work with Harvey? He's over there."
-"I'll have a #4 combo with Coke Zero." Wait, that's what I use at the drive-thru for Wendys.

Now, all of that stuff is true, and I said it in as heartfelt a manner as I could manage. But there was a weird, ritual quality to it. It was hard (for me, for cynical, hard-bitten me) not to feel there was an element of performance to it all. Which actually made it easier to talk to these strangers. Playing the role of a grieving brother somehow let me act like I perceive a grieving brother's supposed to act, rather than doing the things I'm actually inclined to do, like lurking on the edge of the crowd, scowling at people (not on purpose, mind you. I've just got what Michael Ironsides calls "an angry face"), and heaping scorn on expensive, redundant traditions I don't understand.

I suspect I should be embarrassed to admit to any of this. If anyone out there reading is actually someone I talked to this afternoon, I hope you'll understand that none of it is in any way intended to diminish your feelings, and I hope you'll forgive me for giving myself some emotional distance from the situation. It was that or me breaking down in a heap of tears and snot and bitterness and anger in front of you, which would just have embarrassed both of us.

And...I'll admit I feel a little better for having "done my part" this afternoon, however silly I think this particular practice is. There's no question in my mind that being there is something Lisa would have done. And it pleases me to believe my being there would have made her--not me, not my family, not some nebulous community I have no stake in, but my sister--proud.

A

Wednesday, December 2, 2009

The Lucky Ones

There are a few "Quiet Rooms" adjacent to the Ottawa Civic Hospital's intensive care unit. According to the signs on the doors, they're primarily intended as meeting rooms where doctors can talk with families; also according to the signs, what they absolutely are not to be used for is a personal family space (even though families who have call to spend time in the ICU could probably use it.) According to the signs, families aren't allowed to lay any territorial claim to a Quiet Room for any length of time, with the exception of the aforementioned doctor meetings.

So when, having been asked politely to leave Lisa's side for a few minutes while the nurses took care of some stuff, I wandered by the Quiet Rooms and saw hand-written signs claiming the Quiet Rooms for specific families taped right next to the much-more-official-looking "families aren't allowed to claim the Quiet Rooms" signs, I did something I came to regret. That these families could be so insensitive to everyone else, that they'd so egregiously violate the rules and take for themselves what was intended for communal use made my blood boil. I was seething, so much so that I suggested to Mum that I might go give a piece of my mind to the diminutive woman who had the nerve to give me a slight, anxious smile as we walked past the cracked door of the room she'd staked out.

Mum told me to leave it, and I did, but I was furious. When I ran into the woman from the room in the elevator a few hours later, it was all I could do not to unleash a flood of abuse on her. When she started talking to me--to me, the selfish so-and-so, like she hadn't done anything wrong--I could feel my blood pressure rising. And when she'd finished talking--she was a rambler, so it took awhile--I was absolutely disgusted.

With myself.

This woman's daughter was in a car accident a few days ago. The daughter's boyfriend wasn't wearing a seatbelt and was killed pretty much instantly. The daughter had several skin grafts, which apparently weren't doing whatever skin grafts are intended to do. Worse than that, the doctors believed that somewhere in her daughter's midsection there was a hole, a hole that apparently was doing a fair amount of damage, a hole they were having trouble finding.

I heard this story three times; once in the elevator, twice when I chanced to wander by the woman and hear her telling it to other people she didn't know. She had no one else to tell the story to.

She's a single mom--or she was and I hope she still is and her daughter gets better (signs were positive, last I heard.) Her family consists of her daughter, her mother, and her stepfather--and her mother's not in the best of health and her stepfather's got issues with hospitals. This woman had been in the ICU for three consecutive days, her only respite coming when the doctors asked her to step out to work on her daughter and a few hours spent alone in the Quiet Room I'd so resented her for taking for herself.

I found out about Lisa's heart attack Saturday around 7PM. I'd travelled I don't know how many miles, hundreds if not thousands, to be with her before noon on Sunday. Dad was already here, having spent the week prior to the surgery that led to this disaster to help Lisa and her husband and daughter, Harvey and Cevyn. Mum got there a few hours after I did. When we got the neurologists' first assessment, I called Tiina; she was here in under 24 hours. Harvey's sister, who lives several hours from a city with an international airport, arrived a few hours after that.

Between the half-dozen or so of us, my sister was never without a family member nearby unless doctors asked us not to be. And all of us had each other to lean on.

All this woman had for comfort was a couple hours a night on a couch in a Quiet Room. For support, she had strangers.

It's an odd thing to find oneself in this situation and realize that, for all I've lost, I am so, so lucky. Lucky to have had Lisa as a sister, lucky to have my family, lucky to have Tiina. I have so much I sometimes take it for granted, and intellectually I know I take it for granted but sometimes, when I'm voyaging into the depths of my navel, the forest gets lost behind all those trees.

Everyone should have the things I have. And I need to remember that many don't.

A


In case you don't follow me on twitter or facebook...

...Lisa officially passed away yesterday.

Thanks again to everyone who sent their words of support, it meant and means a lot.

A

Tuesday, December 1, 2009

Check your hope at the door

"A glimmer is better than a black hole."

So says Mum, and she's usually right because she's my Mum. But I'm not sure it's true in this case. For my part, I'm trying hard not to succumb to hope, here. I get horribly depressed when people don't call when they say they will; disappointment in the context of something, you know, actually important to me and those I love is something I can't bear to think of. Best to expect the worst and be pleasantly surprised than to get my hopes up and have them dashed if the situation deteriorates.

But it's hard not to grasp at whatever straws are available. Yesterday, Lisa's neurologists left no doubt in my mind that this was not going to end well; today, she's shown signs of improvement they didn't expect to see. Small, microscopically small signs, but positive microscopically small signs. I'm trying to stay downbeat and pessimistic, but it's not easy. What a strange situation to be in, to find myself tempted to hope here, of all places.

It's ten to three in the morning here in Ottawa. Mum and I are on the night shift, sitting with Lisa. Mum's a former nurse and has worked extensively in the palliative care field. I don't know if that's a plus or a minus--well, it's a plus for Lisa, because she knows how to apply the mouthwash and what to look for, but knowing what to look for...I don't know. She seems less optimistic than I am right now, and that's highly unusual. I'm the family doomsayer, this situation has disrupted the natural order of things.

Lisa's being well-taken care of here at the Ottawa Civic Hospital ICU, by a number of healthcare practicioners, a disproportionate number of whom are named "Heather." She's surrounded by all sorts of machines--numerous drips, a dialysis machine, heart monitors. They haven't brought in the machine that goes PING! yet, but I'm confident that should one be required it would be supplied in short order. It all feels a bit like tackling the incoming tide to try and stop the wave from reaching the beach, but there's something comforting in the notion that everything that can be done is being done.

At the risk of being crass, I feel compelled to point out that if we were in the United States, I and the rest of my immediate family would likely be facing debtors prison once this situation is concluded. I always thought the healthcare situation down there was a #*&%-up of monumental proportions, but current circumstances just reinforce to me how lucky I am to have been born above the lower 48. Nobody should ever have to go through what I and my family a re currently experiencing, but that a bunch of assholes' desire to reap profit from others' misfortune should trump what ought to be a basic human right is repugnant.

Trying to keep my gallows humour to myself. Not being entirely successful. Might share some of the funny but completely inappropriate things I've thought of saying recently when I'm sure Mum's not going to be reading.

I said it on Twitter earlier and I'll say it again here: thank you to everyone who for your messages of support. I feel blessed, which is not something I usually feel (I'm sure it'll pass) and my family and I are very thankful.

Take care of yourselves.

A

Sunday, November 29, 2009

Things that can't possibly be happening

My younger (and only) sister, Lisa Helen Ehrenholz (nee Foley), is quite possibly the only person I know who's literally put their foot in a door to prevent it from being closed in their face.

I know she did this, because she did it on my behalf several years ago. I was vacating the tenement apartment I'd lived in for the previous 18 or so months, and had managed to get a final inspection that pretty much said I should get a full refund for my damage deposit. This did not sit well with the slum--I mean, the landlord, who I came to understand never, ever, evvvvver gave departing tenants their money back, regardless of the state they left the apartment in or indeed the state of the apartment when the tenants arrived.

As was standard practice, the landlord sent me a cheque for a fraction of the deposit--and the cheque had one of those "I don't think they're really legally binding but they could make life difficult" declarations on the back that stated the amount on the cheque was the final and only payment owed anyone who attempted to deposit it.

I'm a complete wuss when it comes to stuff like this. Going along to get along doesn't make me happy, but making a stink frequently makes me even less happy. Catharsis works for some people; I've never really been one of them.

Fortunately, my sister was around, and she took this attempt to railroad her darling brother kind of personally. It was a kinder, gentler time, so I don't know if what she did would've been called stalking him then, but it certainly would be now. Not that she had a choice, mind you--the sleazebag absolutely refused to talk on the phone for any length of time, hanging up on her more than once.

So she parked herself outside his office building, and gave him a call or three. Eventually he answered. "Are you at your office?" she asked, and when he said yes she immediately said, "I'll be right up."

For a vile parasite who'd made a habit of avoiding pissed-off ex-tenants (read as "all ex-tenants"), this distressed him. So much so that he refused to open the door. So Lisa yelled a conversation through the door until he opened it. And when he attempted to end the conversation by closing the door, he couldn't, because her foot was in it.

Having this unstoppable, elemental force in his office threw the dick off his game, but he rallied. "Just have your brother sign the cheque I sent him, and I'll send another one for the rest of the deposit," he said. To which she replied, "Is that your dick you're trying to put in my ass?"

She walked out of the office block with a cheque for my full damage deposit back. And I've always admired her for that, and a lot more, including but certainly not limited to raising one hell of a kid with my niece, Cevyn.

Last night, I found out that Lisa went into cardiac arrest yesterday during surgery for complications arising from a gastric bypass surgery earlier in the week. Caught a redeye flight to Ottawa, which is where I'm writing this (and haven't slept for something like forty hours now, so sorry if this is less than coherent, but I don't think that's going to improve in the near term.) She's been comatose for more than a day now. The neurologist will be running the tests again tomorrow to see if she's more responsive, but there seems little reason to be optimistic. I've seen my father cry more in the last 9 hours than I have in the rest of my life combined. I'm fluctuating wildly between uncontrollable crying jags and periods where I can manage to distract myself with videos of stuff (can't really read things right now--even as I type these words the letters are crawling around their window like little worms.) I'm a little worried about Mum, largely because we haven't had much time together since the crap got airborne--she got to the hospital just in time for me to come back here to Lisa's house to get a few hours of (hah!) sleep.

Tiina will be here tomorrow--which is good because I'm turning into a #*&%ing basketcase rightg now--as will members of my brother-in-law's family.

I love my sister, so while I personally have trouble accepting the efficacy of such things, I'm going to close this out with something my Dad wrote in a mass-mailing to friends of the family this morning: "Whatever it is you do at times like this, please do it for us now. We appreciate it."

A

Wednesday, November 18, 2009

A drib and three drabs

For those reading on MySpace, or those reading on Blogger who don't look at the sidebar, or those reading on Livejournal who aren't actually reading it at all, you may be interested to know that I've had a cost-effective midlife crisis and started up a Twitter account. Because I'm really a Cool Guy and not at all a decrepit old wannabe desperate to prove he's down with the kidz. Go to http://twitter.com/TheAndrewFoley if you're interested in keeping track of my nonsense in sporadic, 140 character bursts. And if you aren't interested...well, I can't say that I blame you, but I do pity you.

***

SAFE HARBOUR STATEMENT

As you may or may not know, in addition to being a Professional Comics Editor and Occasional Comics Writer and Aspiring Well-Paid Writer Of Whatever People Will Pay Well For Me To Write, I also do a few shifts a week at Canada's Best Comic Shop of 2007 (and arguably 2008 and 9, but you get the Shusters' Outstanding Retailer Award once and once only), Happy Harbor Comics. A regular paycheque and expanded health coverage are both nice, and I feel slightly less guilty about reading comics without buying them this way, my admittedly self-serving argument being that it's part of my job to try and stay abreast of the latest developments in mainstream comicdom.

Anyhoo, as part of my duties at Happy Harbor (heh. I said "duties"), I'm expected to write up recommendations for a few books from the latest Previews, two of which are then sent out to everyone on the mailing list along with the other staff picks. The one that isn't sent out is an alternate, in case there's overlap and more than one person decides to promote the same thing. This has, unfortunately, left some of my favourite recommendations unseen by all but a couple people, and possibly not even that many.

So, because I'm feeling guilty about how much I haven't been blogging lately and some content's got to be better than no content and because I have a personal interest in seeing VEHICLE succeed but don't feel great about its chances, considering where it's been placed in the magazine, I present to you all three of my picks from this month's Previews magazine, something I may continue to do with future picks. Or not.

This was all written with a Harbor-specific audience in mind, so apologies for any comments that may skew a little too inside.

VEHICLE MAGAZINE #3, by Various. Seeing as the (relatively) locals have had their anthology magazine sentenced to the outer reaches of Previews (AKA "the magazine section waaaaay at the back"), it falls to me to point out the first issue of Calgary creator collective Black Sheep Studios' to appear in Previews to all you Harborites. Previous issues have featured work by Scott Kowalchuk, who you may know better as "the guy who did the Steve Ditko and Chester Gould prints at the Visions of Comics art show", and future issues probably will as well. "But Andrew," I hear you saying, "Why should we try the third issue of a magazine sight unseen (other than someone with your impeccable good taste saying we should, of course)?" I'm glad you asked, Imaginary Harbor E-Mail Reader. My answer is, you don't have to do it sight unseen: the first two issues can be downloaded free of charge from VEHICLE's website at http://www.vehicle-magazine.com/ So there.

SUPERNATURAL: BEGINNING'S END #1, by Andrew Dabb & Daniel Loflin and Diego Olmos. On top of being one of, if not the most entertaining show on network television this fall, CW's Supernatural also has pretty strong geek credentials, with much of the writing staff having written either comics or something Joss Whedon created. And a couple of the writers, most notably Ben Edlund, AKA the creator of THE TICK, started in comics and migrated to television writing. Andrew Dabb is another Supernatural writer who started in comics (with Vertigo's HAPPYDALE: DEVILS IN THE DESERT) before moving into television, only to find himself back in comics writing the same characters he's writing on television. This is the third Supernatural miniseries, and like the others, it's a prequel. This time out, the story goes into the reasons Sam Winchester to give up the not-so-glamourous life of monster-hunting to go to university. Ought to be fun.
THE WEIRD WORLD OF JACK STAFF #1, by Paul Grist. It's Paul Grist, it's Jack Staff, and if you're sick of me going on about how great Paul Grist and Jack Staff are, just know that I exercised some restraint this month and didn't make it my #1 choice. If you're reading this, someone beat me to the punch suggesting either Supernatural: Beginning's End #1 or VEHICLE #3 and as a result, this, the alternate Preview pick Jay forces us to make in case there's some overlap, got used instead. Fortunately, I happen to be the staff member whose name comes first, alphabetically, so I can at least tell you that it's not me but the person who recommends Supernatural or Vehicle you should blame getting yet another plug for Grist's superhero masterpiece. All that said, you really should read Jack Staff. I'll take any issue of JS over any three issues that have the words "Blackest" or "Dark" pasted over their titles. Also, "willpower" isn't an emotion and the Black Lanterns are zombies.

***

I just know the boss, die-hard Geoff Johns Green Lantern fan that he is, will make me pay for that last sentence. But it's totally worth it.

A

Wednesday, November 11, 2009

It's all about meme.

Daylight Savings Time, health, weather shifts, and raking the yard have conspired to leave me a shell of my usual chipper, outgoing self. Rather than moan about all of that, though, I'm going to do a memething, just so I can keep my Internet Blogger card.

• Leave me a comment saying "Resistance is Futile."
• I'll respond by asking you five questions so I can satisfy my curiosity
• Update your journal with the answers to the questions
• Include this explanation in the post and offer to ask other people questions

(Questions from frabjousdave)

1. I notice you use index cards when breaking down your scripts. What is it you like about them over an electronic outline or screenwriting program?

Mostly it’s that, nine times out of ten, I’m capable of successfully pinning a card to a bulletin board. I’m ridiculously, comically slow on the uptake when it comes to learning anything remotely tech-oriented. So while my word processor and screenwriting programs probably have the capacity to do outlines in a comparable format (grid with moveable “cards”) as well as any number of other useful tasks, I haven’t figured out how to make them do it yet and probably won’t unless it somehow becomes vitally important that I do so. And even then I probably won’t figure it out in time for it to matter.

As I sit here thinking about it, I realize that the cards and board is the closest thing in my current writing practice to painting--a full-body activity that creates a (somewhat) visual impression of a story that’s accessible in one lump. So maybe there’s a bit of a nostalgic buzz to physically moving the cards around, creating new bits, editing unnecessary ones, arranging everything in an order that (for awhile at least) works.

2. You seem not to get out very often for social affairs, yet you seem very social when you do. What gives? Who needs to kick you in the ass to get you out more often?

Answering the last question first: pretty much everyone.

As for what gives, well, there’s a variety of different things that play into my not going out very often. Money’s a big one; I have a theory that I’m not a cheap bastard, just someone who’s not comfortable shelling out for dinner, a movie and drinks when winter’s coming and the heating bill’s about to go up. Scheduling’s another--the dayjob knocks out three days a week, more or less. And for going out and possibly meeting new people, I need a fair amount of lead time to get in the proper mindset. Used to be I’d just drink heavily to get in the mood, but I don’t do that much anymore. I spend a lot of time just not feeling well enough to leave the house if I don’t absolutely have to, especially this time of year, when the weather changes and my sinuses start acting up. Also, your and Lindy’s hospitality aside, I don’t get invited out that often.

If I seem social when I’m not in the house…well, good. It took a lot of effort to not be a complete boob when interacting with new people. But even if I’m managing to not give that impression, more often than not I feel terribly awkward trying to find something to talk about with people I don’t know.

3. How much do you indulge in your drawing these days? Has it become a sideline, or do you think you'll pursue it more seriously again?

Drawing is something I putter around with because I can’t afford to do what I really want, artistically-speaking, which is paint. I do plan to get back to it someday, though I don’t anticipate it ever being anything other than a hobby. Four years of having my artistic whims indulged, even encouraged, made painting into something I’d hate to do under anyone’s terms but my own.

I frequently tell the story of the gallery curator who came to my studio a couple years after art college. He told me several things I should do that would make him more favourably disposed to display them, which was fairly generous of him, really. But hearing this guy tell me what I should do with my paintings absolutely infuriated me. After he left (without me throwing him out the window, a scene I visualized repeatedly during the course of his visit), I calmed down and said to myself, “Well, I better find something else I can do where I won’t want to viciously assault people who can help me make money for trying to help me make money.”

Though I haven’t done it in any serious fashion for probably more than a dozen years now, painting, and the freedom to do whatever I want and nothing else while painting, is still deeply important to me.

4. Werewolves or vampires?

Depends on what’s being done with them. Taken entirely in the abstract, I’d have to go with vampires, even though vampire stories almost inevitably disappoint. Conceptually, werewolves strike me as much more limited--off the top of my head I can’t think of more than a couple werewolf stories that didn’t involve the horror of changing into a monster/losing control of oneself (actually, I can’t think of more than one at the moment: Dog Soldiers). Vampire stories outnumber werewolf pieces by what, 20 to 1?--for much the same reason I think superhero stories outnumber straight fantasy or sci-fi in comics: because vampires are more flexible than lycanthropes. Too flexible, really, if people will buy vampires wandering in sunlight glittering instead of burning, but at least with them you’ve got room to move around. So yeah, vampires.

5. What is that cheese dip recipe you once shared with me? We need it posted for posterity.

It’s a slightly modified kopanisti (feta cheese dip) recipe. I’ve been making it so long I don’t know the exact quantities anymore (if I ever did).
Ingredients are:
-One small container of feta cheese (the smallest one you can buy at Safeway that’s in brine rather than wrapped)
-Four pickled pepperoncini peppers (you could do more if you can handle it--if it’s just T and I, I might go up to double that)
-One clove of garlic (more if you like that sort of thing)
-Some olive oil (maybe a quarter of a cup?--it’s more of a texture thing, so personal taste plays in)
-Juice of a lemon
-Greek seasoning, to taste
-half a brick of low-fat cream cheese (or not low-fat, though I personally can’t detect the difference when everything’s mixed together.)

Toss everything in the food processor and blend until you have the desired consistency. Double everything if you’re going to have more than three or four people eating it (that’s what I do for parties.)

The cream cheese is my tweak to the recipe--it smoothes the texture a bit and cuts the sharpness of the pepperoncinis. Which may be a violation of the general intent--for our anniversary, T and I had some kopanisti at Cosmos for the first time in a couple years, and theirs was definitely hotter than mine tends to be.

A

Tuesday, November 3, 2009

Puttering on Facebook is LIKE working, right?

Andrew Foley Suddenly and without warning, Andrew stopped typ

about an hour ago · ·
Andrew Foley

Andrew Foley "I do find your ideas on the middle-east peace process intriguing, but I'd still like you to take your finger out of my nose." - Madeleine "A'ight?" Albright

about an hour ago · ·
Andrew Foley

Andrew Foley In the words of the Immortal Bard, "#*%&! Mother#*%&er! #*%&ing #*%&itty #*%& #*%&!" Actually, that's more of a paraphrase.

about an hour ago · ·
Andrew Foley

Andrew Foley O what a tangled web we weave, when we commence web construction without the necessary architectural designs and construction permits.

about an hour ago · ·
Andrew Foley

Andrew Foley has got nothing, but that apparently isn't stopping him.

about an hour ago · ·
Andrew Foley

Andrew Foley "The cornerstone of any successful relationship must be stable and made of reinforced concrete." - Relationship Expert Don Gotti

about an hour ago · ·
Andrew Foley

Andrew Foley "That's OK, it's only my groin." - Former UN Secretary General Boutros Boutros-Ghali

about an hour ago · ·
Andrew Foley

Andrew Foley isn't going to take this lying down. Which will be tricky, because he's not getting up any time soon.

about an hour ago · ·
Andrew Foley

Andrew Foley "Where in the world is Carmen Sandiego?" was much more challenging than its spiritual predecessor, "Why is Bill Nebraska sleeping in my driveway?"

2 hours ago · ·
Andrew Foley

Andrew Foley I refuse to suspend my disbelief for any Blackest Night #8 that doesn't feature an all out battle between Black Lanterns and a newly-created Muddy Brown-Grey Lantern.

Andrew Foley

Andrew Foley fondly remembers fried, battered food-based powdered pigments.

2 hours ago · ·
Andrew Foley

Andrew Foley Head throbbing. Back aching. Nose running. Mood cratering. Yet again another November is upon us...

2 hours ago · ·
Andrew Foley

Andrew Foley is outlining a kid's story that prominently features a character named "Lily Slutt". I suspect that will have to be changed at some point...

3 hours ago · ·
Andrew Foley

Andrew Foley Universal health care IS the centrist position, you vacuous, bloviating twit.