From an e-mail I sent out to a creator today:
"On page 14, I'm a little worried about the "doong" sound effect obscuring impact of the cookie. I can't believe I just typed that sentence."
I had insomnia again last night, which is probably part of the reason that passage still gives me the giggles.
***
As I wasn't sleeping, I decided to start thinking about a story idea Nick Johnson came up with that I'm going to work with him on. Naturally, this led to a flurry of inspiration for a completely different story that we're also going to be working on.
By the time I dragged my exhausted carcas from bed, I had the entire first issue figured out. I then spent most of the day that wasn't taken up with editing staring at the monitor and drooling, willing myself to write the damn script. It didn't work. I may have five pages done by the end of the night. If I'm lucky.
But I think instead I'll take another pass at the last 22 pages of the ReBoot webcomic script. Working on something that's there is something I can handle better than deblanking a screen at the moment. Plus, ReBoot pays. Really, there shouldn't be any question of what I work on right now, but I was inspired. Inspired to drool...
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Drawn & Quarterly creator Pascal Blanchet
While my understanding of the term is that it was coined by a comic creator (either Eisner, Steranko, or Kane, depending on who's telling the story), Blanchet comes from a completely different, non-narrative tradition. His work doesn't use most standard techniques of comic narrative (dialogue balloons, multiple images in sequence on a page). It is sequential images telling a story, with text interspersed. In terms of format, it's closer to children's picture books than anything else, though it's clearly aimed at mature readers. Calling it a comic seems wrong, as would calling it a picture book. So what should such a work be called?
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What sound would an aggressively flung cookie hitting a metal surface make, anyway? It's a chocolate chip cookie, I believe.
A